EMILY GINSBURG
(503) 997-7339email: egins@comcast.net
www.emilyginsburgstudio.com
EDUCATION
Master of Fine Arts, Printmaking, Cranbrook Academy of Art, Bloomfield Hills, Michigan,
1991
Bachelor of Arts, Art History, Trinity College, Harford, Connecticut, 1986
PROFESSIONAL EXPERIENCE
2021 - Professor, Chair, BFA Programs, Department Head, Intermedia, Pacific Northwest College of Art at Willamette University, Portland, Oregon
2013- Professor, Chair, Media Arts, Department Head, Intermedia,
Pacific Northwest College of Art, Portland, Oregon
1991 - Assistant then Associate Professor, Pacific Northwest College of Art, Portland, Oregon
SELECTED COMMISSIONS, RESIDENCIES, GRANTS
2022 Research Travel Grant, Pacific Northwest College of Art @ Willamette University, Portland, Oregon (Los Angeles)
2021 Public Commission, Washington State Arts Commission, Foothills Elementary School, Washington
Artist in Residency, East Creek Art, Willimina, Oregon
2020 Honorable Mention, McNeese National Works on Paper Exhibition, McNeese State University, Lake Charles, Louisiana, Juror, Eleanor Heartney
2019 . Writing Commission, Oregon Visual Arts Ecology Project, Ford Family Foundation, Oregon Arts Commission
Commission, Modera Buckman, Portland, Oregon
Artist in Residency, Caldera, Sisters, Oregon
2018 Critic’s Visit Award: Connective Conversations Ford Family Foundation, Roseburg, Oregon
2017 Erasmus+ Grant, LUCA, Brussels and Ghent, Belgium
2016 Fund for Art Investigation and Research Grant, Pacific Northwest College of Art, Portland, Oregon (Holland and Spain)
2014 Artist in Residence, Caldera, Sisters, Oregon
2012 Artist in Residency, Arteles, Finland, awarded
2010 Public Art Commission, CYAN PDX, Gerding Edlen, Portland, Oregon
2009 Public Art Commission, Portland State University, Portland, Oregon
2008 Public Art Commission, Seattle City Light, Office of Arts and Cultural Affairs, City of Seattle, Seattle, Washington
Artist in Residency, Vermont Studio Center, Johnson, VT, full fellowship
2002 Project Grant, Regional Arts and Culture Council, Portland, Oregon
1999 Artist in Residence, Studio Art Centers International, Florence, Italy
Project Grant, Regional Arts and Culture Council, Portland, Oregon
1998 Project Grant, Burdock Burn Foundation, Portland, Oregon
1994 Project Grant, Regional Arts and Culture Council, Portland, Oregon
SELECTED SOLO EXHIBITIONS AND COLLABORATIONS
2023 Sensoria, SE Cooper Contemporary, Portland, Oregon (forthcoming) 2019 Feedback Loop, Northview Gallery, Portland, Oregon, (including a special
performance with How to Disappear in Plain Site by Michael Reinsch)
How to Disappear in Plain Site, Albatross, Gold Hill, Oregon
2018 Undercurrents, Anthroposophical Society, Rudolph Steiner Branch, Chicago, Illinois
2015 If You Felt the Same, Vancouver City Hall, Vancouver, Washington
Wrinkle in Time, Trinity Episcopal Cathedral, Portland, Oregon
2014 Mixed Feelings, Kathrin Cawein Gallery, Pacific University, Forest Grove, Oregon
2013 Mixed Feelings, NINE Gallery, Portland, Oregon
2011 Labyrinths: small press book project published by Justin Bland
2010 Choreograph: Emily Ginsburg and Jane Lackey, two-person exhibition, The Art Gym, Marylhurst University, Marylhurst, Oregon
Busy Signals, Washington State University Gallery, Pullman, Washington
2008 Habitual, Fairbanks Gallery, Oregon State University, Corvallis, Oregon
2005 Social Studies, Nine Gallery, Portland, Oregon
2002 Slowness, The Art Gym, Marylhurst University, Marylhurst, Oregon
2001 Blotto, Manuel Izquierdo Gallery, Portland, Oregon
1999 Heliocentric, Philip Feldman Gallery, Portland, Oregon
1999 Wavelength, Studio Art Centers International/Florence, Florence, Italy
1998 Wavelength, Zygote Press, Cleveland, Ohio
1997 Mapping Mind Games, Tidbit Gallery, Portland, Oregon
1995 Present Tense, The North Coast Seed Company Building, Portland, Oregon collaboration with Melissa McClure
1994 Or Current Resident, Metropolitan Center for Public Art, The Portland Building, Portland, Oregon
SELECTED GROUP EXHIBITIONS
2022 Home, Playground Gallery, Portland, Oregon
On the Verge of Recognition, Well Well Projects, Portland, Oregon
2021 New Ownership, Eutectic Gallery, Portland, Oregon
hard & SOFT, Congress Yard Projects, Portland, Oregon, curated by Mack McFarland and Ariana Jacob
2020 Albatross Art Fair, Gold Hill, Oregon
McNeese National Works on Paper Exhibition, McNeese State University, Lake Charles, Louisiana, Juried by Eleanor Heartney
2018 Enter the Nineties: Zine Exhibition, Barnard College, Columbia University, New York, New York
2017 Projects for the Page, Center on Contemporary Art and Culture, Portland, Oregon
PRINT NOW, Washington State University/Vancouver, Vancouver, Washington
Oregon Printmakers, Joseph Center for Arts and Culture, Joseph, Oregon
NCECA Expo ’17, Gandee Gallery, Fabius, New York/Portland, Orgeon
2016 Salon: Portland 2016 Biennial, The Studio Visits, Disjecta, Portland, Oregon, curated by Michelle Grabner
2014 50/50, Heathman Hotel, Portland, Oregon, Curated by the Elizabeth Leach Gallery
2013 Profound Impact, Heathman Hotel, Portland, Oregon, Curated by the Elizabeth Leach Gallery
2011 Reading, Writing, Gallery Homeland, Portland, Oregon, Curated by Lisa Radon
2009 Sight/Mapping, Herter Art Gallery, University of Massachusetts, Amherst Massachusetts, Curated by David Gibson and Trevor Richardson
2007 Character, Tilt Gallery, Portland, Oregon, Seed Project, Plus Ultra Gallery, New York, New York, Artworld Digest, Rare Gallery, New York, New York
TROCA USA, A Gentil Carioca, Rio de Janeiro, Brazil
2006 Oregon Biennial, Portland Art Museum, Portland, Oregon, curated by Jennifer Gately, Great American Storage, Spring Gallery, Brooklyn, New York
2005 Mindscapes, Art Institute of New York, New York, New York, The Gallery on the Plaza, New England Institute of Art, Brookline, Massachusetts
Mobile Home: Red Shoe Delivery Service, Nottdance Festival, Nottingham, England, George Adams Gallery at the Art Center, Melbourne International Arts Festival, Melbourne Australia, curated by Molly Dilworth
Digitally Mediated, Organization of Independent Artists, New York, NY
2004 COCA’s Northwest Annual, Center on Contemporary Art, Seattle, Washington, Juried by Ken Lum
Transient Décor, Affair at the Jupiter Hotel, Portland, Oregon, Curated by Stuart Horodner and Saul Ostrow
2003 Later, in conjunction with Core Sample, Portland Institute for Contemporary Art, Portland, Oregon, curated by Nan Curtis, The Virescence Project, in conjunction with a national conference on Sustainability, METRO, Portland, Oregon, curated by Daniel Duford
2002 Walk On Water, Basil Hallward Gallery, Portland, Oregon, Subscribe, Cawein Gallery, Pacific University, Forest Grove, Oregon
2001 Palimpsest, Hoffman Gallery, Oregon College of Art and Craft. Portland, Oregon
Mountain High IV: Prints, Timberline Lodge, Timberline, Oregon
Gathering Time, Network Gallery, Cranbrook Art Museum, Bloomfield Hills, Michigan
2000 w(hole), L&B Viewing Room, Portland, Oregon, Gathering Time, Houston Art League, Houston, Texas
Open Walls, Portland Institute for Contemporary Art, Portland, Oregon,
Post Millennium Musings, Artemesia Gallery, Chicago, Illinois
1999 Park of the Future, Gasterwerksfabreik, Amsterdam, Holland, Pacific International Print Exhibition, National Academy of Fine Arts, Hang Zhou, China
SELECTED REVIEWS AND PUBLICATIONS
2022 Feedback Loop: A Conversation between Emily Ginsburg and Derek Franklin, Stephanie Snyder, editor, Oregon Visual Arts Ecology Project, Ford Family Foundation, Oregon Arts Commission, (forthcoming)
2021 New Ownership: The First NFT Backed Ceramics Exhibition in Portland, Oregon, Ashley Gifford, Ceramics Now, September 29th, 2021, https://www.ceramicsnow.org/2021/09/29/new-ownership-the-first-nft- backed-ceramics-exhibition-in-portland-oregon
Art shows a bit more intense and cerebral this winter in Portland, Brianna Miller, The Oregonian, Portlandhttps://www.oregonlive.com/entertainment/2021/01/art-shows-a-bit-more-intense- and-cerebral-this-winter-in-portland.html
2019 Connective Conversations: Curators and Critics Studio Visits, Ford Famiy. Foundation, Roseburg, Oregon, (catalogue)
2013 Emily Ginsburg: Mixed Feelings, Richard Speer, Willamette Week, Portland, Oregon, September 12th
Public Art in Portland, The Culture Trip, London, England, Melissa Pierce
2012 Sign and Symbol, The 22 Magazine: Volume 2, editor, Cat Gilbert, Brooklyn, New York, featured artist, images and interview between the artist and Cat Gilbert, pp. 74-83
2011 Writing About Art About Writing, Matt Stangel, The Portland Mercury, August 25th,
Reading Writing: Review at Gallery Homeland: Words as Raw Material, John Motley, The Oregonian, August 17th,
There is Hope But Not For Us, Samizdat, Issue #1, Journal of The Society for the Preservation of Lost Things and Missing Time, p. 9-10, Miami, Florida, Labyrinths: collaborative small press project featuring my work, book designed by Justin Bland
Curatorial Roundup, Victor Maldonado www.portlandart.net, , Seed Media Group, www.visualizing.org
2009 Portland Artist Explores Everyday Life, Alaina Grade, The Daily Evergreen, Pullman Washington, September 23rd, pp. 3-4,
Site Mapping: Exhibition Catalogue, Herter Art Gallery, University of Massachusetts at Amherst, David Gibson and Trevor Richardson, pp. 2-5, p. 11,
Seattle City Light Sponsors Seven Art Installations, Adriana Grant, Seattle Post Intelligencer, February 12th
Illuminating Edge to “lobby art” at Seattle City Light, Gayle Clemans, Seattle Times, Seattle Washington, January 2nd,
The Map as Art: Contemporary Artists Explore Cartography, Kitty Harmon, Princeton Architectural Press, New York, New York, p.136
2008 DATA FLOW: Visualizing Information in Graphic Design, editors, R. Klanten, N. Bourguin, S. Ehman, F. van Heerden, Gestalten, Berlin, Germany, pp. 150 “Datanoid” essay, images on 168,169
2007 Practice: New Writing and Art, Issue 2, Practice Press, San Francisco, California, May
“The Seed Project”, Art World Digest Magazine, David, Cohen, New York, NY
March, “Exposicao Revela Poetica Das Trocas”, Luiz Camillo Osorio, O Globo, February 10th
2006 2006 Oregon Biennial Exhibition Essay and Catalogue, Portland Art Museum, Jennifer Gately, Portland, Oregon, pp. 15, 42-43 ,
A Biennial That Breathes, Willamette Week, Richard Speer, August 2, p.54
2005 Emily Ginsburg at Nine Gallery, PORT, Katherine Bovee, August 15
2004 Visual Arts Pick: Northwest Annual, Seattle Weekly, Andrew Engelson, November,
There’s Plenty of Art to Feast Upon at Local Galleries, Seattle Post-Intelligencer, Regina Hackett, October 28
Out in Oregon, Artnet Magazine, Barry Newman, October,
Core Sample Exhibition Catalogue and DVD
Artful Thinking Outside the Box”, D.K. Row, The Oregonian, July 9
Later, Pat Boas, ART US, January/February
2003 Slowness Exhibition Catalogue, Essay: Teri Hopkins, Interview between artists and curator Stuart Horodner,
Art Overview, Jeff Jahn, NWDrizzle, January
2002 Slowness, Lois Allan, Art Papers, July August
Subscribing to Success, D.K. Row, The Oregonian, March 29
In the Blink of an Eye, D.K. Row, The Oregonian, March 1
2001 Blotto, Pat Boas, Artweek, December
Emily Ginsburg: Blotto, Jeff Jahn, NWScuttle, November
COLLECTIONS
Franklin Furnace Archive at the Museum of Modern Art, New York New York, Museo da Gravura de Curitiba, Curitiba, Brazil, University of Wisconsin, Madison, Wisconsin, Gilkey Center for Graphic Arts, Portland Art Museum, Portland, Oregon
Printmaking Workshop, New York, New York, Library of Congress, Washington, D.C., Archer M. Huntington Gallery, University of Texas at Austin, Austin, Texas
Cranbrook Academy of Art Museum, Bloomfield Hills, Michigan, California State University at Long Beach, Long Beach, California, Colgate University Art Museum, Hamilton, New York, National Academy of Fine Arts, Hang Zhou, China, Private Collections, Maryland, Massachusetts, Michigan, Oregon, City of Portland, Portable Works Collection, Portland, Oregon, City of Seattle, Seattle Municipal Tower, Seattle, Washington, Gerding Edlen Development Corporation, Portland, Oregon, Modera Buckman, Portland, Oregon, Washington Arts Commission, State of Washington
